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reclining

Untitled cell phone shot, 2011

A recurring theme in my work is a transcendent comfort within discomfort, as well as a political affirmation of the personal struggle without creating a propaganda or spectacle.

As I’m preparing to go to grad school (by reading “Why Art Cannot Be Taught” by James Elkins) I’m wondering how these recurring themes are going to sit through a critique in school.

wish me luck

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